The Miscellaneous Prose Works of Sir Walter Scott, Volum 6Cadell and Company, 1834 |
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Walter Scott. THE MISCELLANEOUS PROSE WORKS OF SIR WALTER SCOTT , Bart . VOL . VI . CHIVALRY , ROMANCE , THE DRAMA . EDINBURGH : PRINTED BY BALLANTYNE AND CO . , PAUL'S.
Walter Scott. THE MISCELLANEOUS PROSE WORKS OF SIR WALTER SCOTT , Bart . VOL . VI . CHIVALRY , ROMANCE , THE DRAMA . EDINBURGH : PRINTED BY BALLANTYNE AND CO . , PAUL'S.
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... OF SIR WALTER SCOTT , BAR ! VOL . 6 . art JMW Turner , RA . Shakespeares Monument , in Stratford & Horsburgh EDINBURGH , PUBLISHED 1834 , BY ROBERT CADELL & WHITTAKER ACTON ESSAYS ON CHIVALRY , ROMANCE , AND THE DRAMA .
... OF SIR WALTER SCOTT , BAR ! VOL . 6 . art JMW Turner , RA . Shakespeares Monument , in Stratford & Horsburgh EDINBURGH , PUBLISHED 1834 , BY ROBERT CADELL & WHITTAKER ACTON ESSAYS ON CHIVALRY , ROMANCE , AND THE DRAMA .
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Walter Scott. CONTENTS OF VOLUME SIXTH . PAGE 1 ......... 127 217 ESSAY ON CHIVALRY , ROMANCE , THE DRAMA , AN ESSAY ON CHIVALRY . FIRST PUBLISHED IN THE SUPPLEMENT.
Walter Scott. CONTENTS OF VOLUME SIXTH . PAGE 1 ......... 127 217 ESSAY ON CHIVALRY , ROMANCE , THE DRAMA , AN ESSAY ON CHIVALRY . FIRST PUBLISHED IN THE SUPPLEMENT.
Pàgina 8
... romance , a Polish knight , called the Seigneur de Loiselench , is de- scribed as appearing at the court of Paris wearing a light gold chain attached to his wrist and ankle in token of a vow , which emblem of bondage he had sworn to ...
... romance , a Polish knight , called the Seigneur de Loiselench , is de- scribed as appearing at the court of Paris wearing a light gold chain attached to his wrist and ankle in token of a vow , which emblem of bondage he had sworn to ...
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The miscellaneous prose works of sir Walter Scott, Volum 6 sir Walter Scott (bart [prose, collected]) Visualització completa - 1827 |
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acted action actors adventures Æschylus affection amusement ancient appear Aristophanes Aristotle arms attention audience battle betwixt Brantome called champion character Charlemagne Chorus circumstances classical combat comedy comic composition Corneille court critical degree dialogue display Drama England English Eschylus Euripides exist extravagant favour female fiction France French Froissart genius Grecian hero honour horse imitation introduced King King Arthur knight knighthood lady lance language Lord manners metrical middle ages minstrels modern Molière moral nature noble origin pas d'armes passion peculiar pennon Perceforest performed period personages persons piece Plautus play plot poet poetry prince probably profession racter rank recited representation ridicule Romance romantic fiction rude rules Saint satire scene sentiment Shakspeare Skalds solemn Sophocles spectators spirit of Chivalry squire stage style supposed Susarion sword talent taste theatre theatrical Thespis tion tournament tragedy Tristrem unities valour youth
Passatges populars
Pàgina 345 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth : — For 'tis your thoughts that now must deck our kings; Carry them here and there ; jumping o'er times, Turning the accomplishment of many years Into an hour-glass...
Pàgina 345 - On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt?
Pàgina 352 - I saw Hamlet Prince of Denmark played, but now the old plays began to disgust this refined age, since his Majesties being so long abroad.
Pàgina 309 - Time is of all modes of existence most obsequious to the imagination; a lapse of years is as easily conceived as a passage of hours. In contemplation we easily contract the time of real actions and therefore willingly permit it to be contracted when we only see their imitation.
Pàgina 363 - Collier, because in many things he has taxed me justly; and I have pleaded guilty to all thoughts and expressions of mine, which can be truly argued of obscenity, profaneness, or immorality; and retract them. If he be my enemy, let him triumph; if he be my friend, as I have given him no personal occasion to be otherwise, he will be glad of my repentance. It becomes me not to draw my pen in the defence of a bad cause, when I have so often drawn it for a good one.
Pàgina 363 - I shall say the less of Mr. Collier, because in many things he has taxed me justly; and I have pleaded guilty to all thoughts and expressions of mine, which can be truly argued of obscenity, profaneness, or immorality, and retract them.
Pàgina 309 - It is false that any / representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited.
Pàgina 281 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Pàgina 284 - Afric of the other, and so many other under-kingdoms, that the player, when he comes in, must ever begin with telling where he is, or else the tale will not be conceived?
Pàgina 284 - ... then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster with fire and smoke, and then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?