Nineteenth Century and After, Volum 169Nineteenth Century and After, 1962 |
Des de l'interior del llibre
Resultats 1 - 3 de 30.
Pàgina 124
... light ; and the art of its use , with the science of its physical production , are without doubt capable of ... Light can both reveal and shape an object , an example being the changing appearance of the moon . On the stage , directional ...
... light ; and the art of its use , with the science of its physical production , are without doubt capable of ... Light can both reveal and shape an object , an example being the changing appearance of the moon . On the stage , directional ...
Pàgina 125
... light is increasingly used in a purely arbitrary theatrical way . By the balancing of the intensity , colour and direction of light , the illumination of the centre of dramatic interest can be moved about the stage , the emphasis in the ...
... light is increasingly used in a purely arbitrary theatrical way . By the balancing of the intensity , colour and direction of light , the illumination of the centre of dramatic interest can be moved about the stage , the emphasis in the ...
Pàgina 179
... light the kettle ' or ' light the gas ' , the desultory discussions of trivial news in the evening paper , are utterly true , wildly comic and terrifying in their absurdity . Pinter's first full - length play The Birthday Party combines ...
... light the kettle ' or ' light the gas ' , the desultory discussions of trivial news in the evening paper , are utterly true , wildly comic and terrifying in their absurdity . Pinter's first full - length play The Birthday Party combines ...
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acting actors American ancient ancient Greece Arab Arnold Wesker artistic audience become believe British building cartoon century characters Christopher Fry cinema classical Colombo convention course critics culture D. H. Lawrence director drama dramatist England English fact feel film Flook Francophobia French give Greece Greek Harold Pinter human idea interest John John Arden kind language Lawrence literary literature living London look mean mind modern Moroccan Morocco N. F. Simpson National Theatre never night novel Percy Lucas perhaps play playhouse playwrights poems poet poetry political present problems production proscenium arch Rayner Heppenstall realism round Royal Court scene seems Serjeant Musgrave's Dance Shelagh Delaney Singhalese social society stage story talk television theatrical there's thing tion to-day tradition trying University Wally Fawkes Wesker words writing wrote young