Gerard Manley Hopkins: A Critical Symposium

adjectives alliteration appears beauty become Bridges Browning called Catholic Century Christ close complex compounds concern critic dear descriptive Deutschland dipodic distinctive Dixon early effect English epithets especially example experience expression fair feeling felt fire follows force four fresh friends Gerard Manley Hopkins give habit heart individual inscape intensity interest Keats keep kind kins language later Leaves Letters linguistic literary live lovely marked matter means measure metaphysical metrical Milton mind mirror movement nature never notes once Oxford pattern perhaps poems poet poetic poetry practice precision reader rhetorical rhyme seems sense shared sonnets spiritual sprung rhythm stress studies suggested sweet syllables things thought tion verse Victorian whole Wreck write written wrote