The Masks of Anthony and CleopatraUniversity of Delaware Press, 2006 - 605 pàgines A sensitive and penetrating analysis, scene by scene, act by act, of this most complex and ambiguous of Shakespeare's great plays, seen through the eyes of both the literary critic and the student of theatrical history. As in his earlier Masks books, Marvin Rosenberg has gathered impressions from performance reviews from all over the world, comments by actors and directors, and his own personal experience of the play in rehearsal and staging, and has combined these insights with extensive reading of critical essays and consideration of the thoughts and opinions of his literary colleagues to form an illuminating interpretive study. The book also conveys the author's wholehearted enthusiasm for the play and his profound appreciation of Shakespeare's poetic and dramatic genius. The book, left unfinished at Dr Rosenberg's death in 2003, was edited and completed by his wife, Mary. |
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Resultats 1 - 3 de 76.
Pàgina 34
... productions in Britain and Australia have been chronicled by Margaret Lamb ( “ Antony and Cleopatra " on the English Stage , Fairleigh Dickinson University Press , 1980 ) and Richard Madelaine ( Shakespeare in Production : " Antony and ...
... productions in Britain and Australia have been chronicled by Margaret Lamb ( “ Antony and Cleopatra " on the English Stage , Fairleigh Dickinson University Press , 1980 ) and Richard Madelaine ( Shakespeare in Production : " Antony and ...
Pàgina 351
... production did not seem worth dying for : and a critic of a Colorado Summer Festival production ( Rossi 1972 ) made the same point : " We are given no indication here of any substance sufficient to warrant Enobarbus's love and devotion ...
... production did not seem worth dying for : and a critic of a Colorado Summer Festival production ( Rossi 1972 ) made the same point : " We are given no indication here of any substance sufficient to warrant Enobarbus's love and devotion ...
Pàgina 441
... production he spoke " in a sustained eerie whisper " ; in another with an American " hillbilly " accent to emphasize his rural back- ground ; in another , with " a crude Southern accent " ; and in another with a Welsh lilt , " look you ...
... production he spoke " in a sustained eerie whisper " ; in another with an American " hillbilly " accent to emphasize his rural back- ground ; in another , with " a crude Southern accent " ; and in another with a Welsh lilt , " look you ...
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Actium actor Agrippa Alexas Anthony Anthony's Antony and Cleopatra April April 29 arms audience August August 16 battle Bevington Birmingham Post body Caesar characters Charmian Cleo Clown Daily Telegraph death December director Dolabella Egypt Egyptian emotion Enobarbus Enobarbus's Enter Eros Exeunt exit fear feel Folio Fulvia gestures give hand hear heart imagining reader Iras Julius Caesar July June kiss language laugh Lepidus London look lovers Maecenas March Mardian Marvin Menas Messenger noble November November 26 Octavia October October 15 October 24 passion patra Philo play Plutarch polyphony Pompey Pompey's Proculeius Queen Reviews Roman Rome royal Scarus scene seems sense sexual Shake Shakespeare wanted soldiers sometimes Soothsayer sound speak speech stage Stratford subtext suggests surely sword tell Theatre thee Thidias thou thought touch tragedy triumph University Press Ventidius voice woman women words York