Shakespeare's Comic Control in Measure for Measure: Sub-plot as Key to Dramatic Design

Abhorson absent Duke accusations Andrugio answer argument audience Barnadine bawd becomes bed-trick broad comedy brother chapter chastity clearly climax comic characters comic perspective condemned context contrast criticism death debate scenes declares deputy descending action device dilemma disguised Duke dominant comic dramatic dribbling dart Duke's earlier early acts Elbow Elizabethan enforcement Escalus ethical execution F.R. Leavis final act Friar Friar-Duke heroine ideal immediate important intensity Isabella and Angelo Jacobean Juliet lines London Lord Angelo Madeleine Doran main plot manipulation Mariana Measure for Measure melodrama mercy and justice mid-play Mistress Overdone monstrous proposal mood moral need for mercy opening scene pardon play's pretense principle prison Problem Comedies Problem Plays Promos and Cassandra provides Provost recognize repentance response rhetorical role ruler scene of Act seems sexual Shakespeare Survey shift situation spectator spectator's speech statement story sub-plot suggests suspense theme thou tion tragicomedy Vienna Vincentio virtue W.K. Wimsatt Whetstone Whetstone's York