Shakespeare and the Confines of ArtRoutledge, 11 d’oct. 2013 - 184 pàgines First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
Des de l'interior del llibre
Resultats 1 - 5 de 28.
Pàgina 19
... love for the youth ; the fact of lust is included in the history of love . That the two experiences are meant to be seen as simultaneous can be inferred from the rather forced insertion , at the centre The Sonnets to the Dark Woman 19.
... love for the youth ; the fact of lust is included in the history of love . That the two experiences are meant to be seen as simultaneous can be inferred from the rather forced insertion , at the centre The Sonnets to the Dark Woman 19.
Pàgina 20
... seen as an image of what is happening to one human soul . The poet shows himself as a man swinging between salvation and damnation as he obeys the desires of his body and of his spirit . Ultimately , the living - together which the poet ...
... seen as an image of what is happening to one human soul . The poet shows himself as a man swinging between salvation and damnation as he obeys the desires of his body and of his spirit . Ultimately , the living - together which the poet ...
Pàgina 24
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Pàgina
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Pàgina 39
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Continguts
1 | |
17 | |
Loves Labours Lost | 33 |
The Abandond Cave | 49 |
Romeo and Juliet | 71 |
Hamlet | 83 |
The Problem Plays i | 95 |
The Problem Plays ii | 109 |
The Jacobean Tragedies | 121 |
Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accept achieved action affection attempt audience beauty becomes beginning believe Berowne bring changed characters comedy comes continuous course created dark death desire divine Dream Duke experience eyes fact failure feel final follow force Friar give Hamlet hate heaven human idea imagination innocence Jaques killing kind king Lear lives Lost Love's lovers lust marriage meaning Measure Measure for Measure mind move nature never Night Othello pattern Pericles person play poem poet poetry possible present problem question reality reason relation Romeo and Juliet scene seems seen sense sequence sexual Shakespeare sonnets speak speech spirit stage story strange suggest surely Tale Tempest Theseus things thou thought Timon tragedy Troilus and Cressida true truth trying turn Ulysses wants whole wish woman writing