The Minstrel; Or the Progress of Genius: With Some Other Poems

Portada
CreateSpace Independent Publishing Platform, 12 de jul. 2017 - 64 pàgines
The Minstrel marks a new turn in Spenserian poetry. It consists of 62 Spenserians describing the education of a village poet. The design was, to trace the progress of a Poetical Genius, born in a rude age, from the first dawning of fancy and reason, till that period at which he may be supposed capable of appearing in the world as a Minstrel, that is, as an itinerant Poet and Musician;-a character, which, according to the notions of our fore-fathers, was not only respectable, but sacred.Excerpt from The Minstrel.'Shall I be left abandoned in the dust,'When Fate, relenting, lets the flower revive?'Shall Nature's voice, to man alone unjust,'Bid him, though doomed to perish, hope to live?

Altres edicions - Mostra-ho tot

Sobre l'autor (2017)

James Beattie was born the son of a shopkeeper and small farmer at Laurencekirk in the Mearns, and educated at Marischal College (later part of Aberdeen University), graduating in 1753.In 1760, he was appointed Professor of moral philosophy there as a result of the interest of his intimate friend, Robert Arbuthnot of Haddo. In the following year he published a volume of poems, The Judgment of Paris (1765), which attracted attention. The two works, however, which brought him most fame were An Essay on the Nature and Immutability of Truth, and his poem of The Minstrel. The Essay, intended as an answer to David Hume, had great immediate success, and led to an introduction to the King, a pension of £200, and the degree of LL.D. from Oxford. The first book of The Minstrel was published in 1771 and the second in 1774, and constitutes his true title to remembrance, winning him the praise of Samuel Johnson. It contains much beautiful descriptive writing.Beattie was prominent in arguing against the institution of slavery, notably in his Essay on the Nature and Immutability of Truth (1770) and Elements of Moral Science.Beattie was an amateur cellist and member of the Aberdeen Musical Society. He considered questions of music philosophy in his essay On Poetry and Music (written 1762, published 1776), which was republished several times and translated into French in 1798. His poem "The Hermit" was set to music by Tommaso Giordani (1778).Beattie was co-founder of the Royal Society of Edinburgh in 1783.Beattie underwent much domestic sorrow in the death of his wife, Mary Dunn, whom he had married in 1767, and two promising sons, which broke down his own health and spirits. He died in Aberdeen in 1803 and is buried there in St Nicholas' Churchyard.His niece, Margaret Valentine, married Rev Prof George Glennie FRSE.A biographical sketch, An Account of the Life of James Beattie, LL.D., was published in 1804 by Alexander Bower.The poet Robert Burns informed Mrs Frances Dunlop in a letter that the idea of using Coila as the name of his poetic muse first came to him from Beattie's use of a muse named 'Scota' in his Scots language poem of 1768 titled To Mr Alexander at Lochlee.Beattie is one of the sixteen Scottish poets and writers depicted on the Scott Monument on Princes Street in Edinburgh. He appears on the left side of the east face.

Informació bibliogràfica