Time Passages: Collective Memory and American Popular CultureU of Minnesota Press, 1997 - 306 pàgines |
Continguts
| 3 | |
Precious and Communicable History in an Age of Popular Culture | 21 |
Popular Television | 37 |
The Meaning of Memory Family Class and Ethnicity in Early Network Television | 39 |
Why Remember Mama? The Changing Face of a Womans Narrative | 77 |
Popular Music | 97 |
Against the Wind Dialogic Aspects of Rock and Roll | 99 |
Cruising Around the Historical Bloc Postmodernism and Popular Music in East Los Angeles | 133 |
The New York Intellectuals Samuel Fuller and Edgar Ulmer | 179 |
Popular Narrative | 209 |
History Myth and Counter Memory Narrative and Desire in Popular Novels | 211 |
Mardi Gras Indians Carnival and CounterNarrative in Black New Orleans | 233 |
History and the Future | 255 |
Buscando America Looking for America Collective Memory in an Age of Amnesia | 257 |
Notes | 275 |
Index | 295 |
Altres edicions - Mostra-ho tot
Time Passages: Collective Memory and American Popular Culture: Collective ... George Lipsitz Previsualització no disponible - 2014 |
Time Passages: Collective Memory and American Popular Culture George Lipsitz Previsualització no disponible - 2001 |
Frases i termes més freqüents
advertising African Afro-American American Amos n Angeles artists audience Berry blues Chicano Chicano rock Chuck Chuck Berry collective memory comedies commodity consumer context contradictions counter-memory country music created critics critique dance desire Detour dialogue dominant Edgar Ulmer ethnic experience film folklore forms Frith Fuller Goldbergs groups Hansen family historical narratives Hollywood identity ideological images individual industrial city Johnny Otis Katrin lives Lobos Los Lobos Mama's Mardi Gras Indians marginal meaning Mexican Mexican-American middle-class Molly moral musicians myth neighborhood network television oppositional Orleans Pachuco past Pickup on South play political popular culture popular music postwar present production Ralph Nelson record Remember Mama rhythm rhythm-and-blues Ritchie Valens rock and roll rock-and-roll music role Samuel Fuller singer social society songs stories Street television programs tensions theater tion traditions tribes ture Ulmer University urban Valens viewers women workers working-class York
Passatges populars
Pàgina 227 - Modern environments and experiences cut across all boundaries of geography and ethnicity, of class and nationality, of religion and ideology: in this sense, modernity can be said to unite all mankind. But it is a paradoxical unity, a unity in disunity: it pours us all into a maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and anguish. To be modern is to be part of a universe in which, as Marx said, "all that is solid melts into air.
Pàgina 29 - I believe one's point of reference should not be to the great model of language (langue) and signs, but to that of war and battle. The history which bears and determines us has the form of a war rather than that of a language: relations of power, not relations of meaning.
Pàgina 211 - I will tell you something about stories, [he said] They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.
Pàgina 211 - Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men. Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly.
Pàgina 213 - ... Counter-memory looks to the past for the hidden histories excluded from dominant narratives. But unlike myths that seek to detach events and actions from the fabric of any larger history, counter-memory forces revision of existing histories by supplying new perspectives about the past. Countermemory embodies aspects of myth and aspects of history, but it retains an enduring suspicion of both categories.
Pàgina 41 - Anomalous to the commercial and artistic properties of television, these programs also ran counter to the dominant social trends in the era in which they were made. They presented ethnic families in working-class urban neighborhoods at the precise historical moment when a rising standard of living, urban renewal, and suburbanization contributed to declines in ethnic and class...
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