Julius CaesarApplause, 1996 - 166 pàgines These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
Des de l'interior del llibre
Resultats 1 - 3 de 83.
Pàgina ix
... Shakespeare was at the very mid - point of his career . After the heroic and epic celebration of England in Henry V , Shakespeare turned to the best - known crisis of Roman history , and he produced in Julius Caesar a play closer to ...
... Shakespeare was at the very mid - point of his career . After the heroic and epic celebration of England in Henry V , Shakespeare turned to the best - known crisis of Roman history , and he produced in Julius Caesar a play closer to ...
Pàgina xv
William Shakespeare Maurice Charney, Stuart Vaughan. Brutus " was the most important for Shakespeare's purposes , partly because it has so many hints of what was to be Shakespeare's typical tragic protago- nist and partly because it is ...
William Shakespeare Maurice Charney, Stuart Vaughan. Brutus " was the most important for Shakespeare's purposes , partly because it has so many hints of what was to be Shakespeare's typical tragic protago- nist and partly because it is ...
Pàgina xx
William Shakespeare Maurice Charney, Stuart Vaughan. tive painting was quick to answer . An interest in archaeology led to " authen- tic " period settings and costumes for Shakespeare in the 19th Century . Real- ism and the proscenium ...
William Shakespeare Maurice Charney, Stuart Vaughan. tive painting was quick to answer . An interest in archaeology led to " authen- tic " period settings and costumes for Shakespeare in the 19th Century . Real- ism and the proscenium ...
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong
Referències a aquest llibre
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Previsualització limitada - 1998 |
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Previsualització limitada - 1998 |