Training for the Stage: The Technique of ActingPitman, 1952 - 164 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 4.
Pàgina 21
... iamb ) takes the place of the iamb in the first foot , and a spondee in the third . BRUTUS . But hollow men , like horses hot at hand , Make gallant show | and promise of their met | tle . ( Julius Caesar , IV . ii ) Here , the fourth ...
... iamb ) takes the place of the iamb in the first foot , and a spondee in the third . BRUTUS . But hollow men , like horses hot at hand , Make gallant show | and promise of their met | tle . ( Julius Caesar , IV . ii ) Here , the fourth ...
Pàgina 36
... iamb . Carry out the author's intention , and do not spoil it by incorrect emphasis and pace . Study variations in speed and pace in the following— HASTINGS . Go , fellow , go : return unto thy lord ; Bid him not fear the separated ...
... iamb . Carry out the author's intention , and do not spoil it by incorrect emphasis and pace . Study variations in speed and pace in the following— HASTINGS . Go , fellow , go : return unto thy lord ; Bid him not fear the separated ...
Pàgina 46
... iamb— HAMLET . Ŏ what | ǎ rogue | and peasant slave | am I. The result is pedantic , stilted , unrhythmical . ( Hamlet , II . ii ) Now transfer the accent of the first foot ( a trochee ) to " O " and sweep through to " slave , " so ...
... iamb— HAMLET . Ŏ what | ǎ rogue | and peasant slave | am I. The result is pedantic , stilted , unrhythmical . ( Hamlet , II . ii ) Now transfer the accent of the first foot ( a trochee ) to " O " and sweep through to " slave , " so ...
Frases i termes més freqüents
accent achieve acting action actor arms atmosphere audience balance breath Brutus change of thought character characterization climax comedy consonant contrast convey Coriolanus Corn is Green curve demi-plié dialogue diction DONALD WOLFIT dramatic effect emotion emphasis EXERCISES facial expression falling inflexion flexible FLORENCE foot Gentlemen of Verona gesture give Hamlet iamb Ibid imagery imagination important intensity Julius Caesar King Henry King Richard King Richard III knees lines Madge Kendal means mental Merchant of Venice Midsummer Night's Dream MISS JANUS modulation mood movement muscles nature pace passage pause personality phrase pitch PITMAN play plot quantity rehearsal rhythm rhythmical Richard of Bordeaux rising inflexion Romeo and Juliet scene sense sentence Shakespeare soliloquy sound speak speech spontaneity stage stress Study style subtle syllable take your cues technique tempo theatre thou thought and feeling tion tone colour Twelfth Night vary voice volume walk whilst words