Shakespeare's Tragic SequenceRoutledge, 11 d’oct. 2013 - 216 pàgines First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. |
Des de l'interior del llibre
Resultats 1 - 5 de 31.
Pàgina 24
... heart is not compact of flint nor steel ; Nor can I utter all our bitter grief , But floods of tears will drown my oratory And break my utt'ranee , even in the time When it should move ye to attend me most , And force you to ...
... heart is not compact of flint nor steel ; Nor can I utter all our bitter grief , But floods of tears will drown my oratory And break my utt'ranee , even in the time When it should move ye to attend me most , And force you to ...
Pàgina 25
... hearts . The three parts of Henry VI are not tragedies , though they have tragic elements — the British defeat in France and the long agony of the wars of the Roses . Some episodes could be detached and expanded into regular tragedies ...
... hearts . The three parts of Henry VI are not tragedies , though they have tragic elements — the British defeat in France and the long agony of the wars of the Roses . Some episodes could be detached and expanded into regular tragedies ...
Pàgina 26
... hearts , Richard glories in the art of hypocrisy . Richard III \s a carefully constructed play , both in itself and as the fourth play of a tetralogy . We are continually reminded — especially by Queen Margaret — of what took place ...
... hearts , Richard glories in the art of hypocrisy . Richard III \s a carefully constructed play , both in itself and as the fourth play of a tetralogy . We are continually reminded — especially by Queen Margaret — of what took place ...
Pàgina 27
... heart with sorrow . We are reminded of each of Margaret's curses as each is fulfilled . The same theme is brought home to us in the long scene in Act IV where Elizabeth and the Duchess of York ask Margaret to teach them to curse . The ...
... heart with sorrow . We are reminded of each of Margaret's curses as each is fulfilled . The same theme is brought home to us in the long scene in Act IV where Elizabeth and the Duchess of York ask Margaret to teach them to curse . The ...
Pàgina 35
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
9 | |
20 | |
Julius Caesar | 42 |
Hamlet | 55 |
Othello | 93 |
King Lear | 117 |
Macbeth | 142 |
Antony and Cleopatra | 156 |
Coriolanus | 172 |
Timon of Athens | 187 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accept action Antony appears argued asks assume audience become beginning believe Brutus Caesar calls Cassio cause character Claudius Cleopatra committed concerned confesses conscience contrast Cordelia Coriolanus critics death Desdemona devil effect Elizabethan evil expressed eyes fact father fear feeling final followed friends Ghost give gods guilty Hamlet hand hath heart heaven hero Horatio human Iago idea imagery images imagination kill King Lear Lady Laertes later Lear's less lines live look Macbeth means mentioned merely mind moral mother motive murder nature never night noble Ophelia Othello passion play poor present Professor question realise reason refers regarded revealed revenge Richard says scene seems seen Shakespeare soliloquy soul speaks speech spirit stage story suggested tells thee thing thou thought Timon tragedy tragic true truth turn villain virtue wife wish