 With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...  Elements of Criticism - Pàgina 419per Lord Henry Home Kames - 1853 - 504 pàginesVisualització completa - Sobre aquest llibre
 | William Shakespeare, Samuel Johnson, George Steevens - 1820 - 348 pàgines
...figures planted in box, the lines of which frequently intersect each other. So, Milton: " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." Steevens. 7 — We at time of year — ] The word We is not in the old copies. The context shows that... | |
 | John Milton - 1821 - 226 pàgines
...pearl and sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In...profuse on hill, and dale, and plain, Both where the morning sun first warmly smote F2 The open field, and where the unpierccd shade Imbrown'd Ihe noontide... | |
 | 1821 - 772 pàgines
...sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and...profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field, and where the unpierced shade Imbrown'd the noontide... | |
 | John Milton - 1821 - 346 pàgines
...of gold, 'With mazy error under pendent shades Ran nectar, visiting each plant, aud fed 240 Ftow'rs, worthy' of Paradise, which not nice Art, In beds and curious knots, but Nature boon Four'd forth profuse on hill and dale and plain, Both where the morning sun first warmly smote The... | |
 | William Shakespeare - 1821 - 460 pàgines
...planted in box, the lines of which frequently intersect each other. So, Milton : " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." STEEVENS. The weeds, that his broad-spreading leaves did shelter, That seem'd in eating him to hold... | |
 | 1821 - 770 pàgines
...sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Pour' d forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The... | |
 | 1823 - 872 pàgines
...sands of gold, Writb mazy error under pendant shades, Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Ponr'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The... | |
 | John Rutter - 1823 - 214 pàgines
...influence, in determining the style in which the extensive Domain of Fon thill has been embellished. " Flowers, worthy of Paradise, which not nice Art " In beds and curious knots, but Nature's boon " Pour'd forth profuse on hill, and dale, and plain, " Both where the morning sun first... | |
 | Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth, William Ainsworth - 1823 - 614 pàgines
...detail of that description, but only to catch the spirit of it. We have the " crisped brooks " -the " Flowers worthy of Paradise, which not nice art, In beds and curious knots, but Nature's boon Four'd forth profuse on bill and dale and plain." We have " The open field, and where... | |
 | William Hazlitt - 1824 - 1062 pàgines
...sands of gold With mazy error under pendent shades, Ran nectar, visiting each plant, and fed Flow'rs ng on the night ? I did not err ; there does a sable...night, And casts a gleam over this tufted grove. I c morning sun first warmly smote The open 6eld, and where the unpierc'd shade Inbrown'd the noon-tide... | |
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