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" He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress... "
Orthophony: Or, The Cultivation of the Voice in Elocution - Pàgina 267
1870 - 294 pàgines
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The works of ... lord Byron, Volums 1-2

George Gordon N. Byron (6th baron.) - 1818 - 384 pàgines
...lines where beauty lingers,) And marked the mild angelic air, The rapture of repose that's there, j5 The fixed yet tender traits that streak The languor of the placid cheek, And—but for that sad shrouded eye, That fires not, wins not, weeps not, now, And but for that chill...
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Principles of Elocution: Containing Numerous Rules, Observations, and ...

Thomas Ewing - 1819 - 448 pàgines
...— The beautiful, but still and melancholy Aspect, of the once busy and glorious Shores of Greece. HE who hath bent him o'er the dead, Ere the first...(Before Decay's effacing fingers Have swept the lines vrbere oeauty lingers,) And mark'd the mild angelic air — The rapture of repose that's there —...
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The Imperial magazine; or, Compendium of religious, moral ..., Volum 3

664 pàgines
...the best interests of a true Christian. What can we think of the man who tells us of death as being The first dark day of nothingness, The last of danger and distress. Giaour. Again, in his'song to Inez, in Childe Harold, he speaks of the mark The fabled Hebrew wanderer...
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British melodies, extracts from the modern poets [signed J.H.R.].

British melodies - 1820 - 280 pàgines
...freed inheritors of hell ; So soft the scene, so formed for joy, So curst the tyrants that destroy ! * He who hath bent him o'er the dead Ere the first day...marked the mild angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The langour of the placid cheek, And — but...
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The Parlour Portfolio, Or, Post-chaise Companion: Being a Selection ..., Volum 2

1820 - 442 pàgines
...without Meaning. . 16. The Finis, by Hogarth — Its Companion. The Shore of Athens. BY LORD BYRON. He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers, > And mark'd the mind, angelic air, The rapture of repose that's there — The fix'd, yet tender tracts that...
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Revue encyclopédique, Volum 5

1820 - 624 pàgines
...qui , venant de mourir , conserve encore un reste de beauté , sans conserver la chaleur de la vie. He who hath bent him o'er the dead Ere the first day...nothingness The last of danger and distress , Before de cay's effacing fingers Had swept the lines where beauty lingers He still might doubt thc tyrant's...
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The works of lord Byron, Volum 2

George Gordon N. Byron (6th baron.) - 1820 - 308 pàgines
...freed inheritors of hell ; 65 So soft the scene, so form'd for joy, So curst the tyrants that destroy ! He who hath bent him o'er the dead Ere the first day...death is fled, The first dark day of nothingness, 70 The last of danger and distress, (Before Decay's effacing fingers Have swept the lines where beauty...
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Travels in the North of Germany: Describing the Present State of ..., Volum 1

Thomas Hodgskin - 1820 - 944 pàgines
...the colours just beginning to fade, was shewn to the surrounding spectators. She was in the stage, " Before decay's effacing fingers Have swept the lines where beauty lingers." And " Hers was the loveliness of death, That parts not quite with parting breath ;" and neatly dressed...
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Lord Byron's Works, Volums 1-2

George Gordon Byron Baron Byron - 1821 - 486 pàgines
...freed inheritors of hell ; - So soft the scene, so formed for joy, So curst the tyrants that destroy ! He who hath bent him o'er the dead Ere the first day...marked the mild angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The languor of the placid cheek, And — but...
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The Wesleyan-Methodist Magazine

1872 - 1200 pàgines
...and but for a few hours, after the spirit is not there." * Life, vol. i, p. 401. " Ha who hath beat him o'er the dead. Ere the first day of death is fled ; . , , , Before decay's effacing fingers Have swept the lines where beauty lingers, And mark'd the...
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