 | International Shakespeare Association. World Congress - 1998 - 446 pàgines
..."irresistibly affecting"; elsewhere, he praised "the excellent scenes of passion in Shakespeare," noting that, "when he describes anything, you more than see it, you feel it too. "8 In the nineteenth century, Coleridge could still celebrate Shakespeare's "insight into the nature... | |
 | Howard Anderson - 1967 - 429 pàgines
...rules of proportion in the name of the disegno interno, the inward drawing, or idea. 36 ) Shakespeare, says Dryden, was "the man who of all modern, and perhaps...him, and he drew them, not laboriously, but luckily " 37 The distinction between luck and labor, made by Dryden in favor of luck and Shakespeare, exploited... | |
 | Seamus Perry - 1999 - 330 pàgines
...describe things; Shakespeare shows, or even becomes, things. Dryden's Neander had declared Shakespeare 'the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul':41 so comprehensive, indeed, that Pope could declare that 'every single character in Shakespear... | |
 | Stephen Orgel, Sean Keilen - 1999 - 426 pàgines
...Allegory; his works are the comments on it."i6 Dryden, in a phrase equally familiar, calls Shakespeare "the man who of all modern, and perhaps ancient, poets had the largest and most comprehensive soul."i7 The suggestion in all of these cases is of a kind of transcendent ventriloqmsm. It is as though... | |
 | Kevin Hart - 1999 - 254 pàgines
...instance, here is Dryden in a famous passage in An Essay of Dramatic Poesie. Shakespeare, he writes, was the man who of all Modern, and perhaps Ancient Poets, had the largest and the most comprehensive soul ... If I would compare him Qonson] with Shakespeare, I must acknowledge... | |
 | Samuel Alexander - 2000 - 324 pàgines
...that heavenly music seemed to make. III. ON A POET From Dryden. To begin then with Shakespeare. He was the man who of all modern and perhaps ancient...comprehensive soul. All the images of nature were present to him, and he drew them not laboriously but luckily. When he describes anything, you more... | |
 | Trevor Thornton Ross - 1998 - 412 pàgines
...the phenomenal in his own transcendent consciousness. In Dryden's influential portrait, Shakespeare "had the largest and most comprehensive soul. All the images of nature were still present to him" (1:67), or, elsewhere, "Shakespeare had an universal mind, which comprehended all characters and passions"... | |
 | Louise McConnell - 2000 - 344 pàgines
...scholarly attention to the works of Shakespeare. In it, DRYDEN wrote of Shakespeare that 'he was a man who of all Modern and perhaps Ancient poets, had the largest and most comprehensive soul'. In I 709, Nicholas ROWE produced the first complete edited collection of Shakespeare's plays which... | |
 | Margreta de Grazia, Stanley Wells - 2001 - 352 pàgines
...- for his versification, his diction, his classical correctness - but that he loved Shakespeare: He was the man who of all modern, and perhaps ancient...him, and he drew them, not laboriously, but luckily . . . Those who accuse him to have wanted learning, give him the greater commendation: he was naturally... | |
 | Paul Hammond - 2002 - 484 pàgines
...Beaumont and Fletcher. The present extract is spoken by Neander. To begin, then, with Shakespeare: he was the man who of all modern, and perhaps ancient...anything, you more than see it, you feel it too. Those who accuse him to have wanted learning* give him the greater commendation: he was naturally learned; he... | |
| |
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see... 
