 | William Shakespeare - 1844 - 348 pàgines
.... The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...but the different actions that complete a story may he in places very remote from each other ; and where is the absurdity of allowing that space to represent... | |
 | William Shakespeare - 1857 - 354 pàgines
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1878 - 750 pàgines
...field, The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1882 - 996 pàgines
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the tpass'd: — but women, indeed, cannot abide 'em ;...favoured rough things. Re-enter PAGE. Page. Come, Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but & modern theatre... | |
 | James Mercer Garnett - 1890 - 730 pàgines
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1898 - 460 pàgines
...' The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre.... | |
 | William Shakespeare - 1898 - 456 pàgines
...' The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicilv, which was always known to be neither Sicilv nor Athens, but a modern theatre.... | |
 | David Nichol Smith - 1903 - 450 pàgines
...field. The truth is that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre.... | |
 | David Nichol Smith - 1903 - 434 pàgines
...field. The truth is that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre.... | |
 | Walter Cochrane Bronson - 1905 - 422 pàgines
...players are only players. They came to hear a certain number of lines recited with just gesture and 30 elegant modulation. The lines relate to some action,...absurdity of allowing that space to represent first Athens and then Sicily, which was always represented the real and poetical duration is the same. If... | |
| |
They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place; but the different actions that complete a story may be in places very... 
