| Barbara Goward - 2005 - 166 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| Kathy Elgin - 2005 - 36 pàgines
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In... | |
| Jean Benedetti - 2005 - 264 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| Brian Winston - 2005 - 430 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| Michael Hattaway - 2005 - 272 pàgines
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
| Kenneth S. Jackson - 2005 - 324 pàgines
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
| Samuel Seldon - 2005 - 360 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| Karen Newman - 2005 - 176 pàgines
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 545 But in a fiction, in a dream of passion, Could force...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all for... | |
| Robert Cohen - 2005 - 312 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
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