| Salvo Pitruzzella - 2004 - 212 pàgines
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
| Salvo Pitruzzella - 2004 - 216 pàgines
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in's aspect,... | |
| Gabriel Egan - 2004 - 178 pàgines
...pipe?' (3.2.357—8). Yet he is mightily impressed with the effect of a performance upon the performer: Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in "s aspect,... | |
| Michelle Lee - 2004 - 456 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| 492 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| William Shakespeare - 2005 - 900 pàgines
...night. You are welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
| Stef Craps - 2005 - 252 pàgines
[ El contingut d’aquesta pàgina està restringit ] | |
| Tetsuo Kishi - 2005 - 167 pàgines
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
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